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The Imperial Trace

The collapse of the USSR seemed to spell the end of the empire, yet it by no means foreclosed on Russia's enduring imperial preoccupations, which had extended from the reign of Ivan IV over four and a half centuries. Examining a host of films from contemporary Russian cinema, Nancy Condee argues that we cannot make sense of current Russian culture without accounting for the region's habits of imperial identification. But is this some...

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Film and Video Intermediality

In Film and Video Intermediality, Janna Houwen innovatively rewrites the concept of medium specificity in order to answer the questions “what is meant by video?” and “what is meant by film?” How are these two media (to be) understood? How can film and video be defined as distinct, specific media? In this era of mixed moving media, it is vital to ask these questions precisely and especially on the media of video and film. Mapping the ...

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Beyond Flesh: Queer Masculinities and Nationalism in Israeli Cinema

Zionism was not only a political and ideological program but also a sexual one. The liberation of Jews and creation of a new nation were closely intertwined with a longing for the redemption and normalization of the Jewish male body. That body had to be rescued from anti-Semitic, scientific-medical discourse associating it with disease, madness, degeneracy, sexual perversity, and femininityeven with homosexuality. The Zionist movemen...

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Visual Ethics : A Guide for Photographers, Journalists, and Filmmakers

Visual Ethics addresses the need for critical thinking and ethical behavior among professionals responsible for visual messages in photography and photojournalism, film, and digital media. From the author of Photojournalism: An Ethical Approach, published more than 20 years ago, this book goes beyond photojournalism ethics. It discusses crucial contemporary concerns, including persuasion, stereotyping, global perspectives, graphic de...

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The Shadow Effect

Photographers know that they must use highlight and shadow to create a sense of dimension in their portraits, sculpt their subject’s features, and add palpable mood in their images. However, enterprising photographers know that these uses of shadow only scratch the surface when it comes to maximizing their portrait effects. They are willing to go to surprising lengths to create dramatic shadow patterns that add texture, a sense of my...

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Sony a7 Series: From Snapshots to Great Shots

While your camera manual explains what the camera can do, it doesn't show exactly how to use the camera to create great images! That's where Sony A7 Series: From Snapshots to Great Shots comes in. Starting with the top ten things users need to know about the camera, author Brian Smith carefully guides readers through the operating features. Readers get practical advice from a pro on which settings to use when, great shooting tips, an...

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Les secrets de la photo de rue : Approche - Pratique - Editing

Ce projet dédié à la photo de rue est un guide de composition sur le vif, d'attitudes du photographe face au sujet, d'éditing pour sélectionner les images les plus fortes ou participant à la construction d'une série, mêlant aussi une partie historique et juridique, et présentant les travaux de photographes reconnus. Fort de son expérience de formateur, l'auteur aborde le sujet de manière très concrète et présente : - les principes de...

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After Hitchcock: Influence, Imitation, and Intertextuality

Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been ...

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Hesitant Histories on the Romanian Screen

This book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films of the new Romanian cinema. The book explores how the critical attitude of new Romanian cinema demonstrates a refusal to accept limiting...